The erect male organ also has an apotropaic effect, but thanks to another mechanism to display the penis (or nay of its surrogates) is to say: 'I am not afraid of you.
He is regarded as one of the most influential—and controversial—minds of the 20th century. From what I have read so far, I personal agreed with Freud’s second part of the statement, Looking further into Freud essay in hope to understand the perspective of Nevertheless, going back to the discussion we had in regards to pubic hair and castration; my enquiry remain unchanged, as I doubted that all boys was born in believing that all woman have penis; and yet if we were to argue, in fact that little boy’s father suppose to have pubic hair as well, then how can one blame the absence of the female penis onto pubic hair?Hence, there are question and doubt from my end in reading this statement of Freud, yet his writing did suggested that there are similarity of Medusa’s hair and female pubic hair in relation to the terror of sight, and further reading was guided.
free speech and postmodernism; art as craft; after abstract expressionism; modern and postmodern; abstract, representational and so forth; the crisis of the easel picture; aesthetic distance; observations on aesthetic distance; painting elements; More . It is a remarkable fact that, however frightening they may be in themselves, they nevertheless serve actually as a mitigation of the horror, for they replace the penis, the absence of which is the cause of the horror. Press Ctrl (on Windows) or ⌘Command (on the Mac) and the minus sign (-) to make the content smaller (zoom out). Here, then, is another way of intimidating the Evil Spirit.In order seriously to substantiate this interpretation it would be necessary to investigate the origin of this isolated symbol of horror in Greek mythology as well as parallels to it in other mythologies.introduction to metaphor and continental philosophy Sigmund Freud, ‘Medusa’s Head;, 1922, in The Medusa Reader (E,d, M. Garber and N. J. Vickers), 1922, Routledge, Page 84 – 86. Freud explicated his though process of how he was lead to believe … Freud, "Medusa's Head" in Sexuality and the Psychology of Love: 212-3. Thus in the original situation it offers consolation to the spectator: he is still in possession of a penis; and the stiffening reassures him of the fact. In short, the Medusa represents castration as further symbolized in the form of the female genitalia and the myth of the Medusa’s gaze turning men into stone is symbolic of an erection.Freud … In these strange days of quarantine and isolation, books can be a mode of transport. Search Search [SER273a1] Medusa's Head. The terror of Medusa is thus a terror of castration that is linked to the sight of something. An example of the psychoanalytic treatment of a mythical image is Freud's article Medusa's Head (1922). I defy you. What arouses horror in oneself will produce the same effect upon the enemy against whom one is seeking to defend oneself. Start by marking “Medusa's Head” as Want to Read: The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume XVIII (1920-1922): Beyond the Pleasure Principle, Group Psychology and Other Works, 273-274 [SER273a1] Medusa's Head . Medusa’s Head In the essay “Medusa’s Head,” Sigmund Freud puts forth the bizarre and obtuse assumption that there is a symbolic connection between the legendary Medusa (gorgon) of Greek mythology and sexual terror. Clair approaches the ambiguity of the Medusa head mostly from an art-historical perspective. Freud, S. (1922). Be the first to ask a question about Medusa's Head I defy you. Numerous analyses have made us familiar with the occasion for this: it occurs when a boy, who has hitherto been unwilling to believe the threat of castration, catches sight of the female genitals, probably those of an adult, surrounded by hair; and essentially those of The hair upon Medusa's head is frequently represented in works of art in the form of snakes, and these once again are derived from the castration complex. The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume XVIII (1920-1922): Beyond the Pleasure Principle, Group Psychology and Other Works, 273-274.